Showing posts with label synths. Show all posts
Showing posts with label synths. Show all posts

Wednesday, 26 August 2020

Loma – 'Half Silences'

Loma's 'Half Silences' was one of my favourite songs of 2019 – but then it disappeared from the web just before the band released their last single, 'Ocotillo'. Turns out that 'Half Silences' was the first song recorded for Loma's forthcoming second album, Don't Shy Away. The band chose to revisit the mix, presumably to make the sound of the song more consistent with the other tracks on the new album.

'Half Silences' is driven by a terse, gritty rhythm track, creating an unsettling space in which the song unfolds. Emily Cross has rarely sounded quite so haunted as she does here, ominously shadowed by Jonathan Meiburg and Dan Duszynski's backing vocals. The glimmering synths and sound effects that flit around the mix like fireflies are fittingly echoed in the DIY video's fireworks, which spark out across the ink-black nightscape of Dripping Springs, Texas, where the album was recorded at Duszynski's studio, Dandysounds.

Even though 'Half Silences' has been around a good while, it remains one of my favourite Loma songs, especially now that the mix has been finessed. Fantastic stuff.  

Don't Shy Away is released by Sub Pop on 23rd October.  

  

Wednesday, 12 August 2015

Mining Tax – Degenerational Report EP

I won't pretend to have a particularly firm handle on what's going on in Australian politics these days, but one thing's for sure: most of what Tony Abbott and the Liberals have done to Australia since being voted in has been an utter fucking joke. (If there was ever a question of whether Abbott is snugly nestled in the pocket of the devil, there's a handy blog detailing the extensive damage Abbott has inflicted upon this country.)

Perth-based duo Mining Tax – Alex Griffin (Ermine Coat) and Mitchell Henderson-Miller – cut straight to the chase with the title of their debut EP Degenerational Report. While Mining Tax seem, on the surface, to be yet another '80s-aping outfit, more style than substance, the opposite is in fact the case: this is minimal synth-pop of a warm, incisive and intelligent stripe. Griffin's impassioned and occasionally very witty vocals are smothered by Henderson-Miller's fuzzy synths, evoking the muffled voices of the thousands of frustrated Australians who can't wait to kick Abbott out of the PM's chair next year. 

Popping this 20-minute beauty on gives me the same thrill as I got at school when the teacher would wheel out the TV and VHS player on a trolley so we could watch a documentary in class.



Degenerational Report is out now on Workplace Safety CD-Rs.